Let’s just say this post is a throwback Thursday deal, since we made this dress nearly two years ago…
Alison wanted something lovely to wear to her daughter’s wedding, and she wanted it to be in a similar style to Hayley’s 50’s-inspired wedding dress. She wanted something that would suit the mother-of-the-bride but also be wearable for other special events. We settled on a retro-style dress with 3/4-length sleeves, a v-neck, and a true tea-length hem.
Concept sketch for Alison’s dress
Though Alison was initially leaning towards a color in the red family, when we spotted this beautiful blue beaded silk dupioni, we just knew in our guts that it was exactly what she wanted – and it was!
Alison and her daughter, whose wedding dress we also made
We are happy to report that we ran into Alison a year after the wedding – wearing her beautiful dress at the 2013 Jeff Awards!
Alison with a friend at the 2013 Jeff Awards
We couldn’t be more pleased with how this dress turned out!
Alison twirling in her full skirt at Hayley & Scott’s wedding
Photos courtesy of Alison Vesely. Used with permission. Photos in this and all posts are protected by copyright, and are not available for reproduction, redistribution, or any other purpose without written authorization from the photographer.
When you’re over 6′ tall, it can be pretty difficult to find anything that fits off the rack. If you’re on the hunt for a wedding gown, you’d like to have straps, you don’t want a pouffy princess ballgown, and you don’t even want it to be white, it’s damn near impossible. And that’s why Kate came to see us.
She was looking for something classy and fitted through the torso with a trumpet flare at the bottom. She wanted her dress to have lots of texture to it. Of the design options we presented, Kate’s top choice was our “starburst” design, featuring seamed panels of fabric angling outwards in all directions from a central point of the dress.
We often use padding to make a dress form into the same shape as a client so that we can drape our design on it; however there are some limitations. While you can add material to make a dress form wider, there’s no good way to make one taller in any area except the legs. And though many tall people are tall because they have super long legs, Kate is tall in every aspect – long legs, long torso, she is even long from shoulder to bustline. So for this project we chose to use a flat-patterning method – taking Kate’s exact measurements and using a computer and a lot of very specific math to create a paper patter that we could work from. It worked out very well and needed surprisingly little adjustment at our mockup fitting.
We selected silk dupioni for the seamed portion of the dress from the knees up, and a 4-ply silk crepe to create a flowing skirt on the bottom, both in a blushy pink shade. This was our first time working with the silk crepe, and it was delightful to cut and sew. It has a nice medium weight to it, which made the whole garment hang nicely. The seamed dupioni portion of the dress created a lot of visual texture, and turned out beautifully!
Photos in this and all posts are protected by copyright, and are reposted here with the photographer’s permission. They are not available for reproduction, redistribution, or any other purpose without written authorization from the photographer.
Hayley came to us in search of a full-skirted, fifties-style knee-length dress, and we pretty quickly settle on idea of a structured dress in silk dupioni with a shelf bust in glossy silk charmeuse.
Concept sketch for Hayley’s 1950s-style wedding dress
Work-in-Progress & Challenges
This was our first time making a shelf bust, and we really had a learning curve on it. The charmeuse was fussy and didn’t like to be pleated. We went through a good bit of trial and error to get it just right. Other than that, it was a fairly straightforward garment. Silk dupioni is a dream to work with, and we found a lovely lightweight silk to line it with too!
Hayley decided on a gorgeous color for her dress – somewhere in between gold an ivory. The difference in texture between the dupioni (main body of the dress) and the charmeuse (in the ruched bust section) creates a striking contrast, even though the two fabrics are the same color.